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wcciJAM

Writings & Resources

CI in Context: Writings and Resources

Follow the links to the articles and publications below for good reads on our dancestors, the festival, CI practice, and some of the issues we face as a community of practice. Want to recommend an article or resource for inclusion here? Contact us!

 

About wcciJAM

Body as Home: A Reflection of the POC-Centered Jam Experience at the West Coast Contact Improvisation Jam

- Nhu Nguyen, Contact Quarterly

Abled, disabled, connect through DanceAbility

- Berkeley Times

 

WCCIJAM 2013: Talking Bay Area Contact Improvisation, Past Present & Future

- Miriam Wolodarski, inDance

Contact Improvisers Consider #metoo

- inDance

 

 

About CI

Action Potential and the Potential to Take Action: Calling on Contact Improvisation and Site-Specific Dance during a Life-Threatening Event

- by Megan Lowe, in Contact Quarterly

Contact Improvisers consider #metoo

- wcciJAM 2018 organizers & teachers

Contact Quarterly

- CI's publication of record. 

“Improvisation”

Dumit, O’Connor, Drum, and McCullough

Interview with the Fear Snuggler

- Miryam Coppersmith interviewing Eroca Nicols

IWB = Improvising While Black

- Mayfield Brooks
 

“Improvising within the field of settler colonialism on Indigenous land.”
Katelyn Stiles, Margit Galanter, and Kevin O’Connor

My Story about People of Color’s Contact Improvisation (POC CI) Jams and Parcon Resilience

- by Andrew Suseno, in Contact Quarterly

Myths to Break Down: Moving Toward Ethical Communication and Ethical Sexuality in CI

- Sarah Gottlieb

New York Times Review of Mangrove from 1978

- Jack Anderson

Questioning Contact Improvisation – Zine Excerpts

- Keith Hennessy

Respecting Boundaries / Coexisting Genders Women’s Experiences of Feeling Unsafe in Contact Improv

- Brooks Yardley

“That lady”: The story of what happened when a woman put up a boundary in the contact improv world

- Kathleen Rea

The Experiment Called Contact Improvisation

- Keith Hennessy

The Newcomer Experience in Contact Dance Improvisation

- Kathleen Rea

The Stages of Consent Culture for Dance Communities

- Megan Emerson & Portland Country Dance Community

Unmaking Contact: Choreographic Touch at the Intersections of Race, Caste, and Gender
​- Mitra, Royona

 

About the world we live in

Wetoo: What dancers talk about when they talk about sexism

- Ilse Ghekiere

The Difference Between Cultural Exchange and Cultural Appropriation

- Jarune Uwujaren

 

Privileges Held By Straight People

- Queers United

White Fragility

- Robin DiAngelo

Transphobia and Discrimination

- Trans Accessibility Project

© Rob Kunkle | Good Lux Photography
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